crfashionbook: PUNK’D Before unveiling a new album Random Access Memories, their first in eight years, on May 21, Daft Punk sits down for an interview with Sky Ferreira Read More

crfashionbook:

PUNK’D

Before unveiling a new album Random Access Memories, their first in eight years, on May 21, Daft Punk sits down for an interview with Sky Ferreira

Read More

Agota la crisis con locura transónica

L’intermittence du suspense

Stream How to destroy angels_: Welcome Oblivion on Pitchfork Advance

Stream How to destroy angels_: Welcome Oblivion on Pitchfork Advance

dubstepfriday: “In the beginning, dubstep in South London was all about dark rooms, whopping sound systems and ketamine. A friend looks back to his first dubstep rave when the music came on and remembers that “no one knew what to do”. It was a sound no one had heard before: the snare on the third beat instead of a four-to-the-floor and an incredible amount of space followed by the volume of the drop which would later encourage frequencies turned up to the max and a lot of NOISE. “We’d never heard anything quite like that sound, but we knew it was going to change how people felt about music in the UK,” says another in the FWD congregation. “It felt safe, a big shift from breakbeat garage and grime raves which I went to around 2001-2003, that atmosphere at those things got really intense. I saw a gun go off in the queue at Liberty, Club Colsseum in 2002, not fun.” Another friend describes her addiction to FWD: “I remember needing a fix of thorax-vibrating bass at least every 2 weeks. We used to call it ‘going to church’ or ‘our purification ritual’ .” - Beyond Skrilldawg - Where to Start with Dubstep

dubstepfriday:

“In the beginning, dubstep in South London was all about dark rooms, whopping sound systems and ketamine. A friend looks back to his first dubstep rave when the music came on and remembers that “no one knew what to do”. It was a sound no one had heard before: the snare on the third beat instead of a four-to-the-floor and an incredible amount of space followed by the volume of the drop which would later encourage frequencies turned up to the max and a lot of NOISE. “We’d never heard anything quite like that sound, but we knew it was going to change how people felt about music in the UK,” says another in the FWD congregation. “It felt safe, a big shift from breakbeat garage and grime raves which I went to around 2001-2003, that atmosphere at those things got really intense. I saw a gun go off in the queue at Liberty, Club Colsseum in 2002, not fun.” Another friend describes her addiction to FWD: “I remember needing a fix of thorax-vibrating bass at least every 2 weeks. We used to call it ‘going to church’ or ‘our purification ritual’ .” - Beyond Skrilldawg - Where to Start with Dubstep

This mixtape is dedicated to my girlfriend’s work on Graphic Designs.

Look what I just found on SoundCloud: http://soundcloud.com/gabrielmoncrieff/being-a-holy-shit

Just favorited “Archie Pelago Mix - Xfm 07/04/12” by Mary Anne Hobbs on Mixcloud.com

cultfilms: first rule of  ██████ is you don’t talk about  ██████

cultfilms:

first rule of  ██████ is you don’t talk about  ██████

(Source: radlounge)

Just favorited “Joss Ryan Mix - Xfm 03/12/11” by Mary Anne Hobbs on Mixcloud.com

NIGHTNIGHT by DEDDY